The main door to the Cathedral adorned with an exact replica of the world famous medieval Sanctury Knocker Iconic view of the West towers and Cathedral entrance. San Giorgio Maggiore the 16th century Benedictine Basilica is viewed from one of the numerous gondola stations serving tourists visiting Piazza San Marco. The church was designed by Andrea Palladio, and built between 1566 and 1610 in the classical renaissance style. The principal route to Palace Green and the Cathedral for vehicular and foot traffic. Crossing the river Avon, Pulteney bridge designed by Robert Adam was completed in 1773. It is one of only four bridges in the world having shops across the full span on either side of the bridge thoroughfare. This is the wonderful view with our backs to the  door of St Marti Sacosta. It gave immense pleasure to paint the ancient and somewhat crumbling stonework to the buildings either side of the steps and the people enjoying lunch at the restaurant below. I loved the almost abstact quality of the domes in this view. However, we certainly didn't enjoy the long and vertiginous hike from the port to see! them! My wife and I celebrated a recent wedding anniversary with a river trip to see the Thames Barrier. On our way, I was fascinated by the relationship between these two iconic structures. 

This image was taken prior to shading in the figures. Those interested in purchasing should contact Stuart for an updated image.
The medieval Elvet bridge built in 1160 by Bishop Hugh de Puiset. One of 3 new works for 2021 depicting this villa most famous for the A list celebrities who have visited it over many years. These include Winston Churchill, Greta Garbo and T S Eliot. However, my wife and I traveled there on the strength of seeing the villa depicted on The Trip to Italy with comedians Steve Coogan and Rob Brydon. The attic bedroom of Charles Paget Wade an extraordinary man with a passion for collecting. Let nothing perish was his motto which but hints at a life dedicated to finding and restoring beautiful objects whether common or extraordinary.
He packed these into the Cotswold manor house which he bought and renovated for the purpose. From toys, Samurai armour, musical instruments to fine clocks, thousands of treasures are still exhibited just as Mr Wade intended. A Cornish fishing village, Mevagissey now derives most of it's income from tourism. The brightly coloured vessels in it's harbour, the narrow winding streets and the stunning coastline being the obvious attractions.
St Mary's Anglican Church in the former Durham mining village of Horden celebrated it's centenary on Friday 26th of April 2013. The painting was commissioned by Reverend Father Kevin Smith and the Church Council to permanently mark the event and was unveiled by the Bishops of Jarrow and Beverley. I consider this my take on Johannes Vermeer's Girl with a Pearl Earring. The Cathdral from College Green, an area behind Durham Cathedral mostly overlooked by tourists and home to the Cathedral clergy.

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

Saddler Street to the right of the painting at one time boasted a castelated gateways protecting the entrance to the Cathedral quarter, a remnant of which can be seen behind an obscure doorway off the main street.

The corner of Owengate and Saddler Street, Durham City.
Watercolour
Size: 440 x 215mm
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I find the doorways on Owengate incredibly attractive especially on a fine summers day when an adjacent tree casts deep shade across the scene. So much so in fact, that this is at least the third Owengate painting to date. The metal table and chairs here set for tea, are those depicted in my homage to Van Gogh.

Cafe on Owengate
Watercolour
Size:
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