York Minster is one of the largest Gothic Cathedrals in Europe and is the seat of the Archbishop of York, the second highest office of the Church of England. This pine wood forms the backdrop to the artist's garden. The entrance to College Green, an area behind Durham Cathedral mostly overlooked by tourists. I wanted to paint this view of Elvet bridge from Prince Bishop's Car Park for ages and only it's complexity put me off, though eventually I couldn't resist the challenge. Iconic view of the West towers and Cathedral entrance. The steep access on Owengate offers the visitor the first glimpse of the majestic Cathedral. This anti-room to the former palazzo, (now restaurant) was open to the street. I couldn't resist walking in to gawp at the two wonderful chinese vases on display. The north facing Cathedral door features an exact replica of the bronze Sanctuary Knocker. The original is normally part of the Cathedral Treasures display but was part of the Royal Academy's 'Bronze' exhibition during 2012. I loved my original version of this painting so much, that I decided to give it another go in order to kick start a new series for my 2016 exhibition. A Cornish fishing village, Mevagissey now derives most of it's income from tourism. The brightly coloured vessels in it's harbour, the narrow winding streets and the stunning coastline being the obvious attractions. This church with it's Romanesque tower dating back to the 13th century, sits at the highest elevation in the village. The covered seating gives shelter and great views down the coast to Teesport to the weary traveller. The magnificent castle and Cathedral dominate the skyline above the river on a bitterly cold winters day. This beautifully lit jug of sunflowers was sitting on the metal table depicted in a recent Owengate cafe painting. Although a departure from my normal subject material, the painting process gave great pleasure. And despite the obvious allure of the flowers themselves, my favourite passages are the rusty ends to the metalwork of the garden chairs. The Cathedral on a glittering winters day as viewed from The College

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

I was fascinated by this giant mechanism during a trip up the Thames in 2019.

The Thames Barrier
Watercolour
Size: 290mm x 210mm
» More Info

The ancient medieval arched entrance to the College an area behind the Cathedral which is the home of the clergy and the Chorister School. Part of the 2014 Durham Cathedral Exhibition.

College Gateway Durham City.
Sepia watercolour over black ink.
Size:
» More Info