The medieval Elvet bridge built in 1160 by Bishop Hugh de Puiset. This is the wonderful view with our backs to the  door of St Marti Sacosta. It gave immense pleasure to paint the ancient and somewhat crumbling stonework to the buildings either side of the steps and the people enjoying lunch at the restaurant below. The north facing Cathedral door features an exact replica of the bronze Sanctuary Knocker. The original is normally part of the Cathedral Treasures display but was part of the Royal Academy's 'Bronze' exhibition during 2012. 16thc Horden Hall looms over the once thriving farm buildings. The Shrine in Little Walsingham North Norfolk is of global importance to the Anglican Church. Commissioned by Fr Kevin Smith, Priest Administrator in 2017, this large watercolour depicting the Shrine Church and gardens, is on permanent display and was officially unveiled at a meeting of the Shrine Guardians in April 2018. The centerpiece of this beautiful square is this fountain built in 1368 by Cansigorio della Scala, which is surmounted by a statue called Madonna Verona. The statue is in fact Roman dating to 380 AD. St Mary's Anglican Church in the former Durham mining village of Horden celebrated it's centenary on Friday 26th of April 2013. The painting was commissioned by Reverend Father Kevin Smith and the Church Council to permanently mark the event and was unveiled by the Bishops of Jarrow and Beverley. My wife and I found this doorway with it's stunning portico and broken pediment while sauntering through the delightful cobbled streets of Girona. The Chorister School is situated within The College on the East side of the Cathedral. The School celebrated it's 600th anniversary in 2016 and this painting was commissioned by the then head teacher Yvette Day to mark the event and hangs in the main hall.
This former palace, situated on
the hill below Prague Castle, is now the
Italian Embassy.
The painting is one of two shortlisted in the 2016 Sunday Times Watercolour Competition.

In reality this view is obscured by trees. The towers of the north transept would therefore not be visible without the judicious application of 'Artistic Licence'. The Cathdral from College Green, an area behind Durham Cathedral mostly overlooked by tourists and home to the Cathedral clergy. I cut my artistic teeth painting and drawing trees. This view of the West Towers offered a great opportunity to enjoy myself painting them lit by the dying winter sun. This giant water wheel is part of the Killhope Lead Mining Museum located in the North Pennines area of County Durham. At one time in the late 19th century, the mine was one of the most productive in Britain. Little did my patron realise when commissioning the painting, that in another life, I was responsible for designing and overseeing the construction of the museum's visitor centre. Stunning baroque architecture meets the eye around every corner in the beautiful city of Verona.

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

One of the jewels of Oxford, the Clarendon was designed by Nicholas Hawksmoor and built between 1711 and 1713 to house the Oxford University Press. The building lies adjacent the Sheldonian Theatre which was designed by Hawkmoor's mentor and tutor Sir Christopher Wren.

The Clarendon Building, Oxford
Watercolour
Size: 550 x 250mm
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I find the doorways on Owengate incredibly attractive especially on a fine summers day when an adjacent tree casts deep shade across the scene. So much so in fact, that this is at least the third Owengate painting to date. The metal table and chairs here set for tea, are those depicted in my homage to Van Gogh.

Cafe on Owengate
Watercolour
Size:
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