The north facing Cathedral door features an exact replica of the bronze Sanctuary Knocker which is normally part of the Cathedral Treasures display but is currently part of the Royal Academy's 'Bronze' exhibition which will run until December 8th. The magnificent central tower is 218 feet in height and here set against a darkened evening winter sky. I remember as a small child seeing young calves with noses pressed hard against the red painted slats and my dad demonstrating how they would suckle if offered fingers instead of teats. I can't remember if I was brave enough to take up the challenge, but the event stuck in my mind. This lovely church lies on the opposite bank of the River Wear to Durham Cathedral which can be viewed from this spot during winter months. My wife and I came across this bistro while mooching about London early in 2019. It's stunning roof is formed in COR-TEN steel. The thin layer of rust which forms on exposure to the elements, actually protects the steel underneath. We couldn't resist stopping off for a coffee and observing locals playing chess within. It's only my second painting of a London scene, but I greatly enjoyed capturing the reflections in the windows of the surrounding buildings and the transparency of the bistro itself. I enjoy replicating the pattern of shadows in strong sunlight. This giant water wheel is part of the Killhope Lead Mining Museum located in the North Pennines area of County Durham. At one time in the late 19th century, the mine was one of the most productive in Britain. Little did my patron realise when commissioning the painting, that in another life, I was responsible for designing and overseeing the construction of the museum's visitor centre. Crossing the river Avon, Pulteney bridge designed by Robert Adam was completed in 1773. It is one of only four bridges in the world having shops across the full span on either side of the bridge thoroughfare. The attic bedroom of Charles Paget Wade an extraordinary man with a passion for collecting. Let nothing perish was his motto which but hints at a life dedicated to finding and restoring beautiful objects whether common or extraordinary. He packed these into the Cotswold manor house which he bought and renovated for the purpose. From toys, Samurai armour, musical instruments to fine clocks, thousands of treasures are still exhibited just as Mr Wade intended. I always wondered what lay behind the imposing Castle Gatehouse. And so I sneaked into the courtyard one sunny afternoon in the hope of taking a few snaps for later use. I was quickly discovered by a security guard who after a gentle reprimand, escorted me back to the gate. The ancient water tower is in the foreground with the arched entrance to the Choristers School behind. The most picturesque route between the centre of Historic Bath and the nearby district of Batheaston, can be enjoyed via the River Avon and this little water taxi. Commissioned to celebrate the retirement of a close friend, the magnificent Rose Window with Dun Cow Lane in the middle distance. The north facing Cathedral door features an exact replica of the bronze Sanctuary Knocker. The original is normally part of the Cathedral Treasures display but was part of the Royal Academy's 'Bronze' exhibition during 2012. Short summary of Durham Castle The magnificent castle and Cathedral dominate the skyline above the river on a bitterly cold winters day.

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

The entrance to The Castle under a fresh covering of snow

Castle Entrance after Snowfall
watercolour
Size:
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The University Library had a major refit before exhibiting The Lindisfarne Gospels to great public acclaim in 2013.

Durham University Library Entrance.
Sepia watercolour over black ink.
Size: 400 x 285 mm, 610 x 495 mm o/a.
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