I enjoy replicating the pattern of shadows in strong sunlight. We came across this famous North Norfolk structure whilst laying the ground for a commissioned painting of the Anglican Shrine of Our Lady of Walsingham in 2017. However the dramatic sky-scape was inspired by a previous visit, whilst motoring from Ely to Cromer across outherwise featureless open fenland. An apocalyptic storm was brewing some distance away across ploughed fields and I pulled over to enjoy the spectacle and take a few snaps. The billowing clouds had yet to touch the ground and a bright strip of sky formed a band across the horizon. These storms are a feature of the Norfolk landscape and I couldn't resist using what I'd seen to add drama to the Cley painting. A meeting place for locals, tourists and bikers alike, the square which is surrounded with a pleasing mix of architectural styles, is the hub of this thriving Swaledale market town. This giant water wheel is part of the Killhope Lead Mining Museum located in the North Pennines area of County Durham. At one time in the late 19th century, the mine was one of the most productive in Britain. Little did my patron realise when commissioning the painting, that in another life, I was responsible for designing and overseeing the construction of the museum's visitor centre. This lovely church lies on the opposite bank of the River Wear to Durham Cathedral which can be viewed from this spot during winter months. The Cathedral Central Tower can be seen behind the Church of St Mary's The Less which was founded in 1140 and was principally for the soldiers of the garrison which manned the city walls. Passengers of a gondola being entertained by a singer and his accordionist. I wanted to paint this view of Elvet bridge from Prince Bishop's Car Park for ages and only it's complexity put me off, though eventually I couldn't resist the challenge. Sadly this delightful 18th Century church is set to be converted into a private dwelling house. I vividly remember childhood expeditions to surreptitiously collect shiny new conkers in the church yard. The church is near to where a claw style green glass beaker dated to the 5th century AD and of Frankish origin, was unearthed from under a hedge in 1775. The area at the time was being worked upon by local landowner Rowland Burdon. The church had been built only a few years earlier and The Beaker as it became to be known, was found with it's base sticking out of the ground by an estate worker. It is held in The British Museum and is evidently the only one of it's kind to be found in England. My wife and I celebrated a recent wedding anniversary with a river trip to see the Thames Barrier. On our way, I was fascinated by the relationship between these two iconic structures. The view of the Cathedral most often overlooked by tourists and visitors. This the Second of the Villa Cimbrone paintings depicts the Temple of Ceres leading to the Belvedere or so called Terrace of Infinity which has magnificent views of the Amalfi coast. The north facing Cathedral door features an exact replica of the bronze Sanctuary Knocker which is normally part of the Cathedral Treasures display but is currently part of the Royal Academy's 'Bronze' exhibition which will run until December 8th. Sheep take shelter on this coastal County Durham farm. Stuart was shortlisted in the 2013 Sunday Times Watercolour Competition for this painting depicting a violent storm breaking over Cromer pier Norfolk. During the storm 'day became night' and Stuart and his wife Anne were soaked through to the skin in the deluge of rain.

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

I was fascinated by this giant mechanism during a trip up the Thames in 2019.

The Thames Barrier
Watercolour
Size: 290mm x 210mm
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The River Wear slides slowly bye rowing club pontoons whilst wood smoke curls upwards from burning logs.

The Slipway, Durham Riverside
watercolour
Size:
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