The view of the Cathedral most often overlooked by tourists and visitors. Short summary of Castle Keep Visitors linger on the snow covered green as light fades. The magnificent central tower is 218 feet in height and here set against a darkened evening winter sky. My wife and I celebrated a recent wedding anniversary with a river trip to see the Thames Barrier. On our way, I was fascinated by the relationship between these two iconic structures. 

Crossing the river Avon, Pulteney bridge designed by Robert Adam was completed in 1773. It is one of only four bridges in the world having shops across the full span on either side of the bridge thoroughfare. I enjoy replicating the pattern of shadows in strong sunlight. Passengers of a gondola being entertained by a singer and his accordionist.
In reality this view is obscured by trees. The towers of the north transept would therefore not be visible without the judicious application of 'Artistic Licence'. This interesting bay window faces onto Palace Green.
Gondola stations adjacent to the Piazza San Marco, rarely observed without the tourist hoardes.
The majestic Cathedral looms over visitors to the Castle The Chorister School is situated within The College on the East side of the Cathedral. The School celebrated it's 600th anniversary in 2016 and this painting was commissioned by the then head teacher Yvette Day to mark the event and hangs in the main hall.
Sadly this delightful 18th Century church is set to be converted into a private dwelling house. I vividly remember childhood expeditions to surreptitiously collect shiny new conkers in the church yard. The church is near to where a claw style green glass beaker dated to the 5th century  AD and of Frankish origin, was unearthed from under a hedge in 1775. The area at the time was being worked upon by local landowner Rowland Burdon. The church had been built only a few years earlier and The Beaker as it became to be known, was found with it's base sticking out of the ground by an estate worker. It is held in The British Museum and is evidently the only one of it's kind to be found in England. I remember as a small child seeing young calves with noses pressed hard against the red painted slats and my dad demonstrating how they would suckle if offered fingers instead of teats. I can't remember if I was brave enough to take up the challenge, but the event stuck in my mind. The magnificent early 18thc classical interior of the Great Hall, The Queen's College Oxford.

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

The Avon water taxi stop at Batheaston Mill is a favoured spot for fly fishing. Described by the famous 18th century author Horace Walpole in a letter to George Montague, 'the Avon falling in a wide cascade' it is little changed.

The Avon at Batheaston
Watercolour
Size: 400mm x 300mm
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The medieval rose window as seen from the Bailey was installed by the Architect James Wyatt in the 18th century ostensibly to replace an original 13th century example.

The Rose Window Durham Cathedral
pen and ink
Size:
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