Commissioned to celebrate the retirement of a close friend, the magnificent Rose Window with Dun Cow Lane in the middle distance. Stunning baroque architecture meets the eye around every corner in the beautiful city of Verona. I wanted to paint this view of Elvet bridge from Prince Bishop's Car Park for ages and only it's complexity put me off, though eventually I couldn't resist the challenge. Short summary of Durham Cathedral Looking up as I always do when walking around a great city, this otherwise ignored facade captured my imagination and became one of two shortlisted in the 2016 Sunday Times Watercolour Competition. This beautifully lit jug of sunflowers was sitting on the metal table depicted in a recent Owengate cafe painting. Although a departure from my normal subject material, the painting process gave great pleasure. And despite the obvious allure of the flowers themselves, my favourite passages are the rusty ends to the metalwork of the garden chairs. This Venetian church which lies in the cestiere Cannaregio was founded in the 10th century. Part of the 2014 Durham Cathedral exhibition. I loved my original version of this painting so much, that I decided to give it another go in order to kick start a new series for my 2016 exhibition. Just around the corner from The Pantheon, people stream back to their accommodation as evening light fades. This is the wonderful view with our backs to the door of St Marti Sacosta. It gave immense pleasure to paint the ancient and somewhat crumbling stonework to the buildings either side of the steps and the people enjoying lunch at the restaurant below. In reality this view is obscured by trees. The towers of the north transept would therefore not be visible without the judicious application of 'Artistic Licence'. This anti-room to the former palazzo, (now restaurant) was open to the street. I couldn't resist walking in to gawp at the two wonderful chinese vases on display. The north facing Cathedral door features an exact replica of the bronze Sanctuary Knocker which is normally part of the Cathedral Treasures display but is currently part of the Royal Academy's 'Bronze' exhibition which will run until December 8th. The entrance to the castle on a bright autumn afternoon. The Cathedral on a glittering winters day as viewed from The College My wife and I came across this bistro while mooching about London early in 2019. It's stunning roof is formed in COR-TEN steel. The thin layer of rust which forms on exposure to the elements, actually protects the steel underneath. We couldn't resist stopping off for a coffee and observing locals playing chess within. It's only my second painting of a London scene, but I greatly enjoyed capturing the reflections in the windows of the surrounding buildings and the transparency of the bistro itself.

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

The ancient medieval arched entrance to The College, an area on the south side of the Cathedral which is the home of the Cathedral clergy and the Chorister School.

College Gate Durham City
watercolour
Size:
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I loved my original version of this painting so much, that I decided to give it another go in order to kick start a new series for my 2016 exhibition.

Chiesa di Santa Maria della Misericordia, Venice.
Watercolour
Size: 335 x 315mm
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