A homàge to Pieter Bruegel the Elder's The Wedding Feast, this painting is loosely based upon the National Trust's Stourhead Estate in Wiltshire. Short summary This church with it's Romanesque tower dating back to the 13th century, sits at the highest elevation in the village. The covered seating gives shelter and great views down the coast to Teesport to the weary traveller. One of 3 new works for 2021 depicting this villa most famous for the A list celebrities who have visited it over many years. These include Winston Churchill, Greta Garbo and T S Eliot. However, my wife and I traveled there on the strength of seeing the villa depicted on The Trip to Italy with comedians Steve Coogan and Rob Brydon. This beautifully lit jug of sunflowers was sitting on the metal table depicted in a recent Owengate cafe painting. Although a departure from my normal subject material, the painting process gave great pleasure. And despite the obvious allure of the flowers themselves, my favourite passages are the rusty ends to the metalwork of the garden chairs. This is the wonderful view with our backs to the door of St Marti Sacosta. It gave immense pleasure to paint the ancient and somewhat crumbling stonework to the buildings either side of the steps and the people enjoying lunch at the restaurant below. The ancient medieval arched entrance to The College, an area on the south side of the Cathedral which is the home of the Cathedral clergy and the Chorister School. I cut my artistic teeth painting and drawing trees. This view of the West Towers offered a great opportunity to enjoy myself painting them lit by the dying winter sun. This giant water wheel is part of the Killhope Lead Mining Museum located in the North Pennines area of County Durham. At one time in the late 19th century, the mine was one of the most productive in Britain. Little did my patron realise when commissioning the painting, that in another life, I was responsible for designing and overseeing the construction of the museum's visitor centre. Saddler Street to the right of the painting at one time boasted a castelated gateways protecting the entrance to the Cathedral quarter, a remnant of which can be seen behind an obscure doorway off the main street. Bow Lane is reputed to be the route that William the Conqueror took when leaving the city after visiting the coffin of Saint Cuthbert in Durham Cathedral. At that time it lead down to a ford across the River Wear, but now leads to Kingsgate Bridge, a superbly elegant concrete structure designed by Ove Arup and completed in 1963. I enjoy replicating the pattern of shadows in strong sunlight. Stunning baroque architecture meets the eye around every corner in the beautiful city of Verona.

Stuart Fisher Watercolours

Artist and award winning designer Stuart Fisher has exhibited his watercolour paintings across the region and as far south as Bath’s prestigious Rooksmoor Gallery. Shortly after his birth in Nuneaton Warwickshire in 1954, Stuart's parents moved to Peterlee New Town where he still lives today with his wife Anne.

Stuart believes that a large section of the art buying public are poorly served by the art market and are hungry for the return of traditional painting. He therefore specialises in the production of architectural watercolours within which he aims to imbue the atmospheric ambiance typical of Turner with the technical brilliance of his artistic hero, Sir William Russell Flint.

A career in architecture spanning almost 34 years culminated with his multi award winning design for Durham City's Science Learning Centre North East. This was followed in 2005 by what he terms 'an escape from the tyranny of the right angle' and the subsequent launch of his professional artistic career early in 2010





Original Watercolours for Sale

Used primarily as a venue for special occassions associated with Durham University and as student accommodation, it is known to students simply as Castle.

Durham Castle (watercolour and ink)
Sepia watercolour over black ink.
Size: 400 x 220 mm.
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In reality this view is obscured by trees. The towers of the north transept would therefore not be visible without the judicious application of 'Artistic Licence'.

The Rose Window Durham Cathedral
Sepia watercolour over black ink.
Size: 395 x 290 mm, 610 x 495 mm o/a.
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